The feature documentary is booming.
That’s the message from Sundance 2019.
- Reported bids for rights approach $20 million.
- Topping the list is Knock Down the House, the Sundance Audience Award winner that captures the run for Congress in 2018 of the “AOC” superstar Alexandria Ocasio-Cortez.
- The SVOD giant reportedly bid $10 million for worldwide rights.
- That’s double the previous known Sundance record: $5 million for Icarus.
Here is the list, followed by my Takeaways:
Sundance Documentaries: Reported Acquisitions
(Partial List / Work in Progress, February 2019)
| Title | Participating | Buyer / Distributor | Fee Estimate | Award |
| Sea of Shadows | Leo DiCaprio, Terra Mater Factual Studios | Nat Geo Films | $3 million worldwide | Audience Award for World Cinema Documentary |
| A thriller doc follows wildlife activists, the Mexican navy and undercover investigators as they take on the Mexican and Chinese criminals whose illegal fishing threatens a whale species. | ||||
| “Untitled Amazing Johnathan Documentary” | Hulu | $2 million | ||
| An as-yet-untitled documentary on magician The Amazing Johnathan. | ||||
| Merata: How Mum Decolonised the Screen | Ava DuVernay | DuVernay’s distrib company ARRAY | NA | |
| Chronicles the life of late New Zealand filmmaker and former Sundance Institute adviser Merata Mita. | ||||
| David Crosby: Remember My Name | Cameron Crowe | Sony Pictures Classics | $1 million / “Low 7 figures” | |
| The 50-year career of the Crosby, Stills & Nash singer | ||||
| Hala | Jada Pinkett Smith | Apple | NA | |
| Chronicles a 17-year-old’s plight to balance her traditional Muslim household with her modern schooling | ||||
| Halston | CNN Films, Halston, Liza Minnelli, Marisa Berenson, Joel Schumacher | The Orchard / for theatrical and home, CNN | NA | |
| About American fashion designer Halston | ||||
| The Brink | CNN Films, Steve Bannon | Magnolia Pictures, CNN | NA | |
| A fly-on-the-wall chronicle of rightwing flamethrower, media executive and ex-White House strategist Steve Bannon | ||||
| “Wu-Tang Clan: Of Mics and Men” | Wu-Tang Clan | Showtime | NA | |
| A docuseries on seminal hip-hop collective | ||||
| Ask Dr. Ruth | Dr Ruth | Hulu/ Magnolia/ AGC | NA | |
| Biodoc on pioneering TV sex therapist Dr. Ruth Westheimer | ||||
| Knock Down the House | AOC | Netflix | $10 million worldwide | Audience prize for best U.S. Documentary |
| Four extraordinary ordinary women run for Congress in 2018, battling political machines in different U.S. landscapes. One of them becomes a superstar. (Pic below) | ||||
| American Factory | Participant Media | Netflix | $3 million worldwide | Best Director award, U.S. documentary |
| In post-industrial Ohio, a Chinese billionaire opens a factory in an abandoned GM plant, hiring 2,000 blue-collar Americans. Optimism gives way to setbacks as high-tech China clashes with working-class America. | ||||
(See Notes below)
Still from Knock Down the House.
TAKEAWAYS
Netflix Strategy
- Netflix is driving the boom.
- The documentary category is affordable:
- Budgets are a fraction of those for Scripted features and series.
- And yet docs win generous press coverage and prestigious awards.
- Indie scripted movies produced at greater cost but with unknown actors just vanish into the night of never-seen projects.
- Documentaries are a proven positive factor in subscriber satisfaction and retention.
How They Buy
- The SVOD giant had swung from acquisitions to commissions in recent years.
- Its Documentary unit develops projects with A-List directors and producers.
- The word “auteur” is spoken with a straight face inside Netflix’s HQ.
- The films are often about A-List celebrity subjects.
- The word on Netflix films:
- “If it is made by a B-Lister or unknown, then it better be about Steven Spielberg”
- “And if its about a B-Lister or unknown, then it better be produced by Steven Spielberg.”
- But Netflix is finding that the must-have hit titles and award-winners can’t be predicted by an internal development team.
- Most hits like Knock Down The House are developed by independent creatives.
- These filmmakers harvest some special magic that makes their film a standout, like picking AOC as a subject ahead of her shocking victory.
Competition Surges
Netflix is racing to fortify its dominant OTT brand and subscriber base against intensifying competition for breakthrough projects, including from:
- OTT services like Hulu.
- Emerging platforms like Disney.
- Apple is expected to launch its service in 3Q’19, with billions earmarked for spending on content.
- Amazon Prime, YouTube and others are expected to ramp up their spend on premium content.
- Legacy channels, including HBO, CNN and Nat Geo are curating and delivering hits in the premium unscripted category.
- International players are taking on Netflix in their own territories.
Winning the Lottery
- Theatrical distributors are motivated by the box office success in 2018 of Won’t You Be My Neighbor? ($22 million) and RBG ($14 million).
- And with $20 million on the table at Sundance, the documentary category suddenly looks like a goldfield for producers rather than the charity it has so often resembled in the past.
More Reading + Listening
- Sundance & the Single Documentary Economy: The $1.3 Billion Cost of Missing Out
- Sundance Selections 2019: What are the Odds for Docus?
- The Sundance Anti-Case Study + podcast: “The Cleaners” came from Berlin in 2018 and Netflix wasn’t buying.
- Don’t miss my podcast with veteran distribution strategist Peter Broderick who shares his Sundance Film Festival Takeaways.
- Peter describes the 5-minute standing ovation for AOC when she Skyped into the Sundance theater.
Notes
- The table above is a work in progress.
- “Participating” is a partial list of players and personalities associated with the film.
- Sources include interviews with industry insiders and Mike Fleming’s excellent coverage in Deadline.
- Fleming writes: “The most I can recall a festival documentary selling for was the $5 million paid for the Russian doping docu Icarus, which was bought by Netflix at Sundance in 2017 and went on to win the Best Documentary Oscar.”
Updated November 2018
Original analysis and coverage from DocumentaryBusiness.com
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